- DYEING NOTES:Sue used cheap Dylon material dye, that is wide offered in street retailers, supermarkets and on-line. The water for the dye was heated to 40°C.
• continually follow the packet directions as a result of the kind of instrumentality used (plastic or metal), or perhaps a small distinction in water temperature, will have an effect on the result.
• Adding salt to the mixture helps the material to become a lot of porous and take the dye higher.
• colouring material may be a real art, and with observe you'll be able to produce distinctive colors and finishes. Sue mixed 2 colors to induce the color Janine wished for her cover.
• continually do a check on alittle quantity of cloth 1st to see that you simply ar proud of the color, and create changes as necessary.
- Calculating your materials
The veil used can be any size because it is simply draped over the post supporting the finished canopy. For underneath the veil, you need both gauzy silk tulle and slightly heavier habotai silk (often used for lining men’s jackets), plus silk ribbon for binding the visible edge of the canopy. If your budget doesn’t extend to these materials, you can use cheaper tulle, netting or other synthetics for this project, but they tend to be stiffer and therefore will not hang in the same way as natural silks. To work out how much fabric you need, start by finding the central point on the headboard, then mark how high above that point you want the canopy to hang. Measure from the high point down to the corner of the headboard, where the canopy will be tied back, then measure from there down to the floor. Add the figures together, multiply by two, and that gives the total length needed for each under-layer and the ribbon (you can add extra if you want your canopy to drape on the floor as Janine ’s does). Janine ’s bed was king-sized, so Sue used 12 metres of silk tulle (6 metres for each layer), 6 metres of habotai silk, and 6 metres of black satin ribbon.
Monday, June 17, 2013
DIY Course:All About Wedding Veil Canopy
The main a part of the cover consists of 3 layers of silk, that were unreal in toning reminder gray and silver to enhance the room’s combination. the sides of those under-layers ar sure with red organza ribbon to carry them along, which ribbon provides a visible link to the sure edges of the veil, that was merely draped over the post supporting the cover. The result was a fine looking and romantic addition to the chamber. have you ever or another loved one got a marriage veil tucked away that may be ripe for reinvention? If not, you'll be able to obtain vintage wedding veils from specialist outlets, and infrequently they appear in charity outlets and markets.